Download Bishop Bullwinkle album songs: Hell To Da Naw Naw Naw | Boomplay Music
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Bishop Bullwinkle – Southern Soul Music Artist – Southern Soul RnB – About the album
Click here. Released as a YouTube video rather than a single, “Hell Naw To The Naw Naw” went on to become a viral hit and novelty sensation, garnering millions of views. It also eventually thrust Bullwinkle into court, where Bigg Robb Robert Smith sued and won a copyright infringement case. In later life Thomas combined “Bullwinkle” with “Bishop” when he decided to record the rap-slash-sermon lambasting the hypocrisies he witnessed in his church and neighborhood. Bishop Bullwinkle is a YouTube phenomenon.
He has never released a single, much less an album. The performance was posted on YouTube, gradually gaining millions of views. Be aware that many YouTube versions continue to be deleted by southern soul artist Bigg Robb for copyright infringement even as new versions proliferate.
Regardless of the controversy, “Hell Naw” burst on the southern soul scene like no other tune in years. See Daddy B. Daddy B. Lugenia Daddy B. Nice replies: Hi, Lugenia. No CD. That’s the bad news.
Here’s the good news. Bishop Bullwinkle just posted the “official video” on YouTube and it contains instructions for an mp3 download! One good sign of future product: Bishop Bullwinkle is touring. For example, he’ll be performing in Jackson, Alabama not Jackson, Ms. Nice’s Concert Calendar. Another side note: T. Soul protege Tha Don is coming out with a single called “Hell Naw. Tha Don’s song is not a cover and is in fact a take-off on Pokey’s “My Sidepiece,” But it definitely traffics in Bishop Bullwinkle’s territory by inviting confusion with Bishop Bullwinkle’s title.
What’s the word on this guy? Does he has a CD or just 2 singles out? I can’t find anything online Nice replies: Yeah. Just the two singles. Not so long ago, just the one single. Bishop Bullwinkle is what I call “insider” music, meaning it’s only for the fanatical few like you and your DBN who have a need for new music bordering on hunger.
You might say southern soul as a genre is “insider” music. In this day and age of media and money everywhere, it’s hard to visualize a portion of the population too poor to make the jump from recording a song with “Pro Tools” to distributing an actual record to the fans, but that’s the facts of life in the poor South. Count your blessings, though. By putting those songs on YouTube, Bishop Bullwinkle has done what southern soul does best: given the fans an unfiltered taste of the real thing, the spiritual source of popular music.
And he may get it together with a CD yet. We don’t get to hear a lot of soul music in the Washington DC area, on the radio Just on line Here’s a sampling: When you lose everything in Minecraft and can’t find it when u die? Do you want Donald Trump for president?? When you find out zombies are at your door? When you walk in to your room mate jerking and he asks for a hand?
When you see a spider on the ceiling.? When they wish you a Marvelous Monday on the intercom? When you in the hood and six people with guns point out you saying empty them pockets and you realize they are fake ass rpg players? When you finally see your kids disrespecting you?
When your mom asks if she can see your history on YouTube.? When the Everyday ass eater ask for a hit of the Joint? Despite all the memes and funny jokes, can we just take a moment to appreciate how good this song is?
God damn, i really dig this song. Hell 2 Da Naw!? And so on and so forth Press “Show More” and scroll down the left sidebar column for comments. Nice’s opinion–but still interesting. It’s already got , visits. Lastly, your Daddy B. Because that wouldn’t be southern soul, would it?
Not as long as Bishop Bullwinkle is in the house. Nice notes: An individual in the southern soul community, who chooses to remain anonymous a request I’ll honor because he’s paid his dues a dozen times over , has asked me to comment on the issue of copyright infringement prompted by the news that Bishop Bullwinkle used an unauthorized instrumental track to record “Hell Naw 2 Da Naw Naw” and others.
The individual even notes your Daddy B. Nice’s own travails over the years with websites stealing his copyrighted “Concert Calendar. Nice’s Corner. Nice replies: First of all, I was as surprised as just about everybody else that the Bullwinkle instrumental tracks were stolen. Since the Bigg Robb and Sheba Potts-Wright singles weren’t favorites often-played tracks of mine, I had to go back and listen to the originals to even believe it.
The evidence is conclusive. Bullwinkle lifted the instrumental tracks on both–lock, stock, and smoking barrel. Secondly, I want the artists to know I’m in solidarity with them on this issue. When Daddy B. Nice’s “Concert Calendar” right-hand column of this page gets ripped off by competing websites, it puts your Daddy B.
Nice into a “slow burn” very like what a recording artist feels upon hearing his instrumental track in someone else’s song. A little personal background. For the first time in my life, I knew I was the right guy everything in my life had prepared me for this in the right place the Dirty South being the last place in the world I would ever have imagined myself at the right time. I truly felt there was something important going on here southern soul music and–if not me–who was going to memorialize it?
I couldn’t bear the thought of this music appearing briefly in this tiny bosom of the country and disappearing forever. So I started the website.
I took out a second mortgage on my house leading to my second divorce , sunk 35K into SouthernSoulRnB and my own computer literacy, and put in unpaid hours per week over the last ten years into this gigantic, ever-growing anthill of information and opinion. So when I see a competing website who has stolen my hard-researched data from my “Concert Calendar” above me on a search engine page for Ms. Jody’s upcoming concerts, I want to “kill. It’s the ultimate, stinging slap in the face–a statement that all the work and years of preparation the original artist did was for naught Someone else is taking the credit and reaping the rewards that were rightfully yours.
This is especially galling in the southern soul “industry,” where the financial rewards are so modest, or even non-existent, and where the accolades of peers and fans are often the only recompense. In the world of journalism from which I came, it’s called plagiarism and, traditionally I won’t speak for the wild-and-woolly digital age being accused of plagiarism was a stigma strong enough to destroy a writer’s career. And yet, there are only so many words and phrases to be used.
What if I asked you, as a person with at least a passing acquaintance with movies, where the expression, “I’m gonna make him an offer he can’t refuse,” came from. In fact, that expression is a cliche and has been used again and again.
The other day, I heard the villain in a black-and-white John Wayne western from “Riders Of Destiny,” long before “The Godfather” say the very same words– “I’m gonna make him an offer he can’t refuse” –not once but twice. So there are two issues here. In the entertainment business, nothing is new. There are only so many words and phrases to be used.
It’s the same with music, only most people don’t “get it” the way they do with words. They don’t understand that musical phrases are as specific and oft-used as are words. Maybe, because I’m a onetime bassist 12 years acoustic bass, classically-trained , I believe the bass line is usually the key part or phrase of any instrumental track.
Drums, of course, too. Or, if you’re really intent on a copyright puzzle and the frequency with which musical phrases are reinvented, compare the instrumental tracks of two of the most widely-known classics in popular music: Michael Jackson’s “Billy Jean” and B.
King’s “Big Boss Man. It’s a sign of the genre’s vitality and communal power. On the contrary, once in awhile something comes along that’s totally fresh and different, something that makes everyone feel like they’ve been creating inside a “box”.
But listen carefully. What makes people think they can steal creative property? Is it because they’re cynical, used to taking short cuts, and think they can get away with it?
Bishop Bullwinkle: albums, songs, playlists | Listen on Deezer
Download Bishop Bullwinkle The Da Vinci Code Album mp3 zip. DOWNLOAD: replace.me 1. Mama 2. Do You Hear Me. Check out Hell To Da Naw Naw Naw by Bishop Bullwinkle on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on replace.me